Main Hall
We invite you to explore the core of the experience, divided into four macro-narratives that merge the artist's diverse techniques.
Two-Dimensional Work
PAINT
“Leticia Morales, a prestidigitator of art: not just anyone would dare to link aspects of her production with any component of Malevich's work. Let's begin by saying that this artist possesses a very, very good body of graphic work, and within that category, five prints stand out which, for her, are pictograms with which she encourages the idea of graffitiing the far side of the moon. In that hidden area, far from any observer, is where she dreams and creates her work. Her paintings, thus, are born from a latent, literal dream state…”
LELIA DRIBEN
RECORDED
“In each of the works, despite the apparent multiplicity of the whole, there is an undeniable underlying unity: a discourse on the line, presented as a modular and central element. Leticia Morales’s sensibility has long revolved around the conditions of possibility for the use of linearism in empty space…”
ERIK CASTILLO
DIGITAL IMAGES
“His work does not consist of a feigned pose of aesthetic brilliance, as is so prevalent in the current art scene. His pieces unfold around the notion of being as an intangible, distilled through the visual, sonic, and spatial manifestation of images that reveal themselves in forms and disciplines that visibly oscillate like a kaleidoscope in a continuous perceptual variation…”
DR. RAMON ALMELA
Three-dimensional artwork
SCULPTURE
“…Throughout the artist’s career, she frequently employs both artistic and non-artistic figurative languages to address a theme. Her solutions tend to be eclectic and heterogeneous, and may give the impression of following outdated formulas. The conceptual is simplified by the anecdotal, the abstract is linked to spirituality, and geometry coexists with the divine ideal. In this virtual age, now devoted to artificial intelligence, the exploration of a religious theme is as risky as it is timely…”
JOSÉ MANUEL SPRINGUER
CERAMICS
“The material is soft and malleable; it requires dedication and patience, but it holds the potential to harden and acquire a definitive shape.
When it's fired in the kiln, it's as if the fire itself decides whether the work deserves to live or die. In that moment of uncertainty, I discover the true beauty of the process: surrender to the material, to the fire, to time...”
DR. LUIS IGNACIO SÁINZ
TALAVERA
“…I remember the beautiful ceramic pieces she titled “Tourmaline,” “Turquoise,” and “Amber,” produced in the traditional Talavera technique in 2009, which show us the importance of transcending the traditional ornamentation of the Talavera technique itself and bringing it into the contemporary realm of sculpture, in the fragmented plane held together by wire, which are an example of Lety’s vocation for experimenting with local materials…”
GERMÁN MONTALVO
PORCELAIN
“…The art of pottery is as old as humanity itself, and it can be said that they were born together. The malleability of clay allows it to be molded at will, with the imagination and technical skill of the master potter being the only limit. The moistened earth, then subjected to intense heat, with the application of various glazes, becomes a very resistant material, highly durable and of unparalleled beauty, due to its expressive and creative possibilities…”
FRANCISCO GUILLERMO VÁZQUEZ LIMA
TEXTILE ART
“…Her nets, woven with cotton or metal threads, as well as plastic waste, evoke Penelope’s endless weavings. However, alongside their legendary aspect, her swarms seem to rescue the memory of a familiar past. One cannot deny in her work the vocation of a lost textile industry in Puebla, which, through her hands, is transformed to reconstruct time…”
María Fernanda Matos Moctezuma
SUMPTUARY ART
“…Leticia Morales, like a demiurge, revives her cosmic place by imprinting the metal plate with her indelible marks. And we know this simply because it is so: from the beginning, the woman’s hands knew how to choose the precise lines, sealed or not by color, through which to reaffirm her knowledge of the world and the precise place that echoes it…”
LAURENCE LE BOUHELLEC
ART OBJECT
“…I am referring to the research she conducts with objects and their transformation into three dimensions. For more than a decade, preoccupied with inhabiting a space, she has embarked on the difficult task of unraveling the secrets of things and their relevance in occupying a given space. This undertaking would be simple if it were not accompanied by an obsessive symbolic search for their inner essence…”
SANTIAGO ESPINOS DE LOS MONTEROS
In-situ art
FACILITIES
“Their objects, installations, and actions advocate for a theater without spectators, where attendees become active participants instead of passive voyeurs, where the work must be experienced and perceived with the body and not just with the eyes, a theater where we are actors who construct knowledge and not accidental spectators…”
DR. CESAR GORDILLO AGUILAR
Collaborations
“…For me, each project is the result of a collective effort that brings together people committed to the same vision and passion. The creation and presentation of my work would be difficult to conceive without the talent, dedication, and support of this team. Each collaborator contributes a unique perspective, experience, and skills that enrich the creative process. It is precisely the sum of these talents that enhances the results and allows the work to reach its fullest expression.…”
LETICIA MORALES BOJALIL
